3 courses from our new a la carte menu and 2 live sets $125
Arrival 6pm sharp
Paint the town red and join us for an unforgettable evening of music, laughter, and mischief in this delightful cabaret! Soprano Felicity Amos, Baritone Ian Warwick, and pianist Nathaniel Kong will take you on a wild emotional rollercoaster ride through the titillating highs and miserable lows of modern dating.
With the best of Broadway show tunes, jazz standards, and the Hollywood movie musical, the night will be a musical exploration through the facets of love—relationships long and short (or the lack thereof), the casual dating scene, and navigating love and its many weird or wonderful iterations in today’s wicked world. With plenty of heartache, hilarity, and gorgeous music to tug at your heartstrings, this is a performance you won’t want to miss!
Hear this merry band bring to the mic their unique sense of panache in a lively night of music, shenanigans, romantic dreams, and disappointments. You’re sure to be seduced, swooning, and laughing on the edge of your seat!
Ian Warwick is a classically trained baritone, director, writer, and designer with a Master of Music from the Australian Institute of Music (2014). He served as an associate director for Pacific Opera's young artist program (2017) and interned with Opera Australia on La Bohème (2018). He currently studies classical singing with mezzo-soprano Deborah Humble.
Since 2015, Ian has been actively involved with the independent opera company Operantics as a director, performer, designer, and writer. His credits include work on Die Fledermaus (Strauss), La Sonnambula (Bellini), The Telephone (Menotti - Ben), Mansfield Park (Dove - Sir Thomas Bertram), Così fan tutte (Mozart - Don Alfonso), and most recently, as costume and production designer and performer in Menotti’s The Medium (Mr. Gobineau) in 2023.
Ian has collaborated with writer and director Michael Becker on original works such as Caught Between the Sheets and Stage Lights (Sydney Fringe, 2017), How to Change the World and Make Bank Doing It (2018-2019), and Inner Weather (2019). He also directed Jesse Eisenberg's The Spoils (2020).
In 2022, Ian conceived, produced, and starred in Make Believe, a tribute show to MGM stars Kathryn Grayson and Howard Keel, presented at the Sydney Fringe with soprano Emily Turner and pianist Nathaniel Kong.
Felicity Amos has been performing in community theatre throughout Western Sydney for over two decades and has participated in more than thirty productions. Her favorite credits include Nancy in Oliver!, Alice in The Addams Family, Gingy/Sugar Plum Fairy in Shrek the Musical, Edith in The Pirates of Penzance, Bombalurina in Cats, Mary in Jesus Christ Superstar, Madame Thénardier understudy in Les Misérables, and debuting the role of Anne Duke in Bakery Hill: An Australian Rebellion.
Felicity has privately trained in classical voice, opera, and musical theatre. She holds a Bachelor of Music and has been a requested performer at several events over the years, including National Day at the Romanian Embassy in Canberra.
In addition to her on-stage work, Felicity regularly contributes behind the scenes, from painting sets to producing theatre. She is the current President of the Holroyd Musical & Dramatic Society Inc., where she has been on the committee for the last five years—and where she met Ian Warwick twenty years ago!
Felicity's everlasting love for performing and all things theatrical is evident in every performance she gives, and she looks forward to singing her joyous heart out for many more years to come.
Nathaniel Kong is a pianist, performer, and teacher based in Sydney. He was an award winner at the Australian Concerto & Vocal Competition in Townsville, where he performed Rachmaninoff’s Piano Concerto No. 2.
His performances have included collaborations with Operantics, Operabites, the Sydney Fringe Festival, the Canberra Enlighten Festival, The Cooperative, Cantorion Sydney Choir, the Sydney Male Choir, and the Mosman Symphony Chorus and Orchestra.
After studying at the Sydney Conservatorium of Music and the Australian Institute of Music, Nathaniel has performed and worked across various styles. His experiences include performing Armenian vocal folk music under soprano Arax Mansourian, recording piano works by Australian composer Peter Stannard, and collaborating with vocalists from opera, theatre, and jazz.
